In language that twists together hobo slang and flights of troubadourish diction, Hearts Amok scrutinizes the history of the love sonnet in Surrey, England and simultaneously celebrates the tickings and tollings of one love-struck heart in Surrey, British Columbia.

Heroines Revisited is a follow-up volume to the original Heroines: Photographs by Lincoln Clarkes that was released by Anvil in 2002. This new edition features over 200 portraits accompanied by three new critical essays that contextualize the five-year photo project and the controversial body of work, as well as an interview with the artist.

Winner of the City of Vancouver Book Award

Heroines is an epic documentary of addicted women in Vancouver, Canada. In 1997, photographer Lincoln Clarkes turned his lens away from the world of fashion and began documenting the dire circumstances endured by the marginalized women living and working on the streets of the city’s Downtown Eastside.

Hider/Seeker is the debut fiction collection from award-winning poet Jen Currin. These stories are about addiction and meditation, relationships and almost-relationships, solitude and sexuality.

In The House With the Broken Two: A Birthmother Remembers, Dr. Myrl Coulter reflects on the family politics and social mores that surrounded closed adoption in the 1960s, and examines the changing attitudes that resulted in the current open adoption system and her eventual reunion with her firstborn son.

In this daring act of self-examination and confession, the late novelist Nelly Arcan explores the tortured end of a love affair. All the wrong signals were there from the start, but still, she could not help falling.

History tells us that the short and violent life of William Bonney, better known as Billy the Kid, ended at the hand of Pat Garrett on the moonless night of July 14, 1881. But I Am Billy the Kid tells a different story, straight from Billy himself. This revisionist history seen through the lens of a twenty-first century sensibility features the picaresque hero we thought we knew and the unexpected one that we don’t: a fearless and determined young woman who is in no mood to be saved and would much prefer exacting her own revenge.

In I Am Claude François and You Are a Bathtub, Stuart Ross, a veteran of the Canadian literary underground, unleashes his arsenal of pathos, absurdism, humour, and cantankerousness.

Spanning more than 25 years, I Could Have Pretended to Be Better Than You gathers work from three distinct eras of Jay Millar’s development as a poet.