The story starts with a newspaper photo taken in an obscure Nova Scotia town after the murder of eight bald eagles. The bizarre photo wins a contest and, over time, the unidentified girl in the foreground becomes, like Diane Arbus’s Boy with a Toy Hand Grenade in Central Park, infamous. Rita Van Loon decides, after seven painful years, to explain herself and the events surrounding the murders.
By Stuart Ross
Mr. Ross unapologetically leaps from howls of grief and despair to zany incursions into surrealism and the absurd. He embraces this panoply of approaches to respond to our cantankerous existential dilemma. All that, and it’s structured after Bela Bartók’s String Quartet No. 4! Get a room and enjoy.
These brief tales are alternately fantastic, humorous, menacing, contemplative, absurd, hallucinatory, violent, confessional, and always provocative. If there is one thing that unites these narratives it is their brevity and their drive for conclusion. Potent text-bites for the short-attention-span reader.
By Tom Prime
The poems in Mouthfuls of Space offer a dissociative journey through the life of a once homeless recovering drug addict and victim of childhood sexual, emotional, and physical abuse.
By Ed Macdonald
In Mutant Sex Party & Other Plays, Ed Macdonald eviscerates the high and the mighty, the hypocritical, and those who abuse power in late-Capitalism America.
By Terry Watada
By Howard White
Howard White says, “Some poets try to capture rare butterflies in their writing. The things I go after are more like houseflies.” The comparison does him no favours but it is true inasmuch as his writing is notably unpretentious and concerned with common and everyday realities.
By Yosef Wosk
Naked in a Pyramid is an unconventional book by an original thinker, a former rabbi who owns ancient Torah scrolls, a yellow star from the concentration camps, and Pee-Wee Herman’s yellow bike. There is quite simply nobody like him. Yosef Wosk is a reclusive Lone Ranger who frequently helps others but remains a stranger. Here, for the first time, he has gathered a medley of observations to reveal his private world.
Rodney DeCroo’s street photography project, Night Moves, is a gritty, touching, poignant, and truthful portrayal of contemporary urban life. With his poet’s eye for detail, he faithfully captures the living character of East Vancouver, especially the life and pulse of the Commercial Drive area that he has called home for the past thirty years.
By Derek von Essen (Text by Phil Saunders)
No Flash, Please! documents an important period in Toronto’s music community. As seen and heard by two journalists covering it for a number of monthly independent magazines, not only did they experience the local bands they knew and loved becoming famous, they also witnessed soon-to-be legends, come through those same clubs and concert halls. Nirvana, Sonic Youth, Jesus Lizard, Mudhoney, Soundgarden, Red Hot Chili Peppers, Henry Rollins, all played Toronto during this period and von Essen’s camera and Saunders’ ears were there to witness their performances in crowds that varied in size from 20 to 500.
