In her tenth volume of poetry, Parade of Storms, award-winning author Evelyn Lau turns her focus on the weather.

Permission to Settle fills in the blanks of the application for Permanent Residency with a series of memoir-based poems, capturing common aspects of immigration — the anxiety, and the bureaucracy of application, identity, foreignness, and inadequacy — all while exploring the sense of privilege that comes from the geographically and culturally close immigration journey from the US to Canada as a modern-day settler.


Pineapple Express is Evelyn Lau’s eighth collection of poetry and marks an important contribution to the literature on depression.

Modelled after the American folk music revival songbooks of the 1950s and 60s, Playlist fiddles with a two-part writing system that begins with the songbooks’ contextual introductions and ends with the songs — or in this instance, poems — to which they refer.

The poems in this collection reach for something other than truth, the marvelous. Leaves fall out of coat sleeves, Gandhi swims in Burrard Inlet. The poems are like empty coats from which the inhabitants have recently escaped, leaving behind images as clues to their identity.

Anna van Valkenburg’s debut poetry collection, Queen and Carcass, is a rich, unpredictable, and deeply surreal exploration of identity and the contradictions we embody. These poems, set in locations real and imaginary, magical and banal, inhabited by figures out of Slavic folklore and a Boschian landscape, strive to unearth truths—especially those that are difficult or uncomfortable. At once ecstatic, meditative, and grotesque, these poems confront some of the most fundamental existential questions.

Whether considering the simplicity of a butterfly in flight or the terror of a cancer diagnosis, Heidi Greco confronts the world head-on, yet always with the fresh eyes of the stranger in our midst. The issues she addresses belong to the world; the settings she employs are international.

Burnham's poetry works at the edges of meaning, propriety, and the commodification of language. Combining elements of found text—the overheard, the over-read—he recasts his findings in various combinations that are unique to their presentation on the page. The essentials of language, how people use it—and how it uses them—is Burnham's main concern.

The Revolving City: 51 Poems and the Stories Behind Them is a vibrant and diverse collection from a who’s who of the west coast poetry scene.

In English, to rue is to regret; in French, la rue is the street – Rue’s poems provide the venue for moments of both recollection and motion. Punctuated with neologisms and the bilingual dialogue of Montreal, the collection explores the author’s upbringing in the working-class neighbourhood of St. Henri with her artist mother, follows her travels, friendships, and loves across North America, Europe, and Russia, and recounts her journalist father’s struggles with terminal brain cancer.